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After the innovative Revolver (1966) and Sgt. Pepper’s Lonely Hearts Club Band (1967), the band released the Magical Mystery Tour TV film on Boxing Day ’67.
The BBC it had shown a color film in black-and-white.

As time went by, Magical Mystery Tour’s reputation recovered, with some comparing the Fab Four’s cinematic effort to the work of Luis Buñuel and Salvador Dalí. Paul McCartney has pointed out how the next generation’s leading filmmakers appreciated the work.

In Anthology, all four Beatles weigh in on the reception of Magical Mystery Tour. To a man, they acknowledge the work has clear flaws. However, they also point out the flaw in the BBC presentation. “We were stupid and they were stupid,” Ringo said.

Ringo also pointed out how the reactions changed once viewers saw it as intended. “It was really [panned] but when people started seeing it in color they realized it was a lot of fun.” Paul said he heard very encouraging feedback from authorities on the subject.

“People like Steven Spielberg have said since, ‘When I was in film school, that was a film we really took notice of,’” Paul said in Anthology. “It was an art film rather than a proper film. […] I defend it on the lines that nowhere else do you see a performance of ‘I Am the Walrus.’”

Paul was being humble in some respects. The video for George Harrison’s “Blue Jay Way” is another great moment in Magical Mystery Tour. And Spielberg wasn’t the only great director to point out the film’s charm.

In a 2012 PBS documentary on Magical Mystery Tour, Paul and The Beatles got another heavyweight endorsement — this time, from Martin Scorsese. Seeing the big picture of the medium (as usual), Scorsese felt the need to stick up for the film’s freewheeling style.

“Of course, the emphasis on professionalism and polish and politeness has come back now with a vengeance,” Scorsese said in the movie’s defense. “It’s expected. And there’s a tendency to forget that really that’s only one choice, one way of going.”



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While George Harrison was working to refine his songwriting craft, he wasn’t getting much help from his bandmates in The Beatles. “I had a little encouragement from time to time, but it was very little,” George said in a 1977 interview.

Beatles engineer Geoff Emerick backs up that account in the book, Here, There and Everywhere. “In general, sessions where we did George Harrison songs were approached differently,” Emerick said. “Everybody would relax — there was a definite sense that it really didn’t matter.”
During the sessions for Sgt. Pepper’s Lonely Hearts Club Band (1967), George faced more criticism than usual. It began when he introduced “Only a Northern Song” in the studio. After John Lennon didn’t play on the backing track, The Beatles decided to shelve the song for a later date.

But George still didn’t have a song on Sgt. Pepper. When he brought the excellent “Within You Without You” into the studio, Emerick recalled how no one was impressed (again). What’s worse, Emerick said the other Beatles and producer George Martin actually rolled their eyes at the track.
By the time George debuted “Within You Within You” for his bandmates and producer, they’d already recorded several masterpieces. The Sgt. Pepper sessions began with John’s masterpiece, “Strawberry Fields Forever,” followed by the Paul McCartney classic, “Penny Lane.”

The Beatles had also polished off “A Day in the Life” when George took another crack at getting on the album. In brief, the bar had been raised considerably by March ’67, and George encountered a lackluster reception on all sides.
“At the time ‘Within You Without You’ caused a lot of eye-rolling among the other Beatles and George Martin,” Emerick recalled. “Personally, I thought it was just tedious.” But Emerick did acknowledge that George’s rendition (alone, on acoustic guitar) didn’t do the composition justice.

In the sessions that followed, George’s bandmates would begin to see the magic in the song. Eventually, eight violin players, three cellists, and what John described as “about 400 Indian fellas” filed into the studio to help bring George’s vision to life.
Once the harsh reception was out of the way, George outlined how he wanted to record “Within You Without You.” It began with scrapping the usual Beatles lineup and bringing in a band of Indian musicians to record the backing track.

While his three bandmates were present during the session, George mostly worked on his own with Martin and the Indian players. When Martin scored parts for the Western string instruments late in the Sgt. Pepper sessions, George found himself without any other Beatles once again.

That turned out to be exactly what he needed. Though the song became his sole composition (and by far biggest moment) on the record, it came off as wonderfully as everyone had hoped. Even John fell in love with the song, which has become a highlight of Sgt. Pepper.

“One of George’s best songs,” John told Playboy’s David Sheff in 1980. “One of my favourites of his, too. He’s clear on that song. His mind and his music are clear. There is his innate talent; he brought that sound together.”


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Items valued at more than $18,000

Collector guitars signed by rock and roll legends such as Eric Clapton and Van Halen were recently stolen from a storage unit in Daytona Beach. “I hate thieves. They’re the worst on earth so I’m glad that he got caught and I’m excited about getting my guitar back,” Jack Baker said.

Jack Baker lives out of state and stored his precious memorabilia he bought online at the storage facility while he renovates his Florida home. “Something in my brain told me that it would be better taking it to Hyde Park because it’s built like a fortress,” said Baker.

Officials from the Daytona Beach Police Department said the crime was reported on Dec. 20, 2019, after someone came to the unit at Hyde Park Storage Suites and noticed the eight instruments were missing. The crime likely occurred sometime between October and Dec. 17, 2019, but it’s unclear exactly when. Police said the following items were stolen:

A blue Fender electric guitar signed by the Rolling Stones valued at $3,670
A black Fender electric guitar signed by Eric Clapton valued at $3,024
A Fender electric guitar signed by U2 valued at $2,916
A red California SG electric guitar signed by Van Halen valued at $2,052
An electric sunburst guitar signed by Paul McCartney valued at $2,100
A dark green electric guitar signed by Bob Dylan valued at $1,620
An American flag electric guitar valued at $3,250
A bottle of Rolling Stones vodka
Other items in the unit were not taken or disturbed. Police said they dusted for fingerprints and were able to find some evidence.

On Tuesday, police said they recovered the Van Halen guitar and the Bob Dylan guitar but they’re still looking for the others. A man who was found pawning the guitars is in custody, according to authorities.The manager at O.K. Pawn Shop said Jeremy Andrewlavage walked in with one of the guitars and wanted $200 for it. The manager called his guitar expert to find out its worth but it was really police on the line.”It’s not uncommon for people who have stolen goods to try and pawn it for a quick buck,” said Messod Bendayan, Daytona Beach Police Department.

Authorities learned on Tuesday that a guitar signed by Bob Dylan they recovered days ago in a separate case also belongs to Baker. Police said there isn’t any surveillance video at the facility but Baker said he’s going to invest in his own security system, as police continue to investigate.“We’re hoping this person (Jeremy Andrewlavage) will lead us to the other guitars that we’re looking for,” said Bendayan.



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Ron Campbell directed the Beatles cartoon series and was involved in other popular Saturday morning cartoons.

He will offer some of his works for sale from 4 to 8 p.m. Jan. 21 and 22 at Bennetts’ Framing & Art Gallery, 2100 Laurens Road, Greenville.

Campbell’s 50-year career in animation includes work on “Scooby-Doo,” “The Smurfs,” “Rugrats” and more. In addition, he was the animator of the film “Yellow Submarine.”

Campbell was director of the Beatles Cartoon series that aired on ABC from Sept. 25, 1965, through April 20, 1969. The series received huge ratings and continually fueled new music to children as they followed the bouncing drumstick to each Beatles tune. Campbell also wrote the forward to the definitive book on the Beatles cartoon series “Beatletoons.”

In 2018, music fans celebrated the 50th anniversary of the release of the Beatles classic animated film, “Yellow Submarine.” Since its release, the movie has become a permanent fixture in pop culture, defining the psychedelic 60s for generations. In his book, “Up Periscope,” the movie’s producer Al Brodax gives Campbell a great deal of credit for saving the movie and tying it all together at the last minute.

Other cartoons Campbell has been involved with include “Winnie The Pooh,” “Krazy Kat,” “George of the Jungle” and “The Jetsons,”

Campbell’s former studio was awarded a Peabody and an Emmy for his work in children’s television. Since retiring, he has been painting subjects always based on the animated cartoons he has helped bring to the screen. With emphasis on The Beatles, he shows his Cartoon Pop Art in galleries worldwide.