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LAURENCE JUBER RELEASING DIGITAL VERSION OF DEBUT SOLO ALBUM, FEATURING “MAISIE” WAS RECORDED IN 1978 WITH PAUL AND WINGS

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Former Wings guitarist Laurence Juber‘s debut solo album, Standard Time, which was first issued in 1982, will be released as a digital download for the first time ever this Friday, January 26. The instrumental collection features two original Juber compositions, one of which, “Maisie,” was recorded in 1978 with Paul McCartney on bass and fellow Wings members Denny Laine and Steve Holley on harmonica and drums, respectively, while the band was working on its final record, Back to the Egg.

Juber has posted a video of “Maisie”, that features text telling the story behind the recording of the track, as well as archival photos of him and his Wings band mates:

Paul and Laurence Juber reunite backstage at Anaheim Stadium in Anaheim, California, on April 17, 1993, during Paul’s solo New World Tour

Maisie” was my songwriting contribution to the album. It was really my first finger-style guitar piece. It was recorded with Paul, Steve Holley [drums], and Denny Laine [rhythm guitarist] — he’s playing harmonica on the track — so it’s essentially a Wings song.

The album also includes covers of various standards, among them “Stormy Weather,” “Autumn Leaves,” “After You’ve Gone” and “There Never Will Be Another You.” Standard Time came about after McCartney asked Juber to record songs owned by Paul’s publishing company. The original version of Standard Time, which was only issued on vinyl, featured six songs, while the new digital edition boasts 10 tracks.

 

Here’s the track list of the digital edition of Standard Time:

“You’re No Good”
“Dinah”
“Don’t Let Go”
“Maisie”
“There Will Never Be Another You”
“Stormy Weather”
“Autumn Leaves”
“Four Brothers”
“After You’ve Gone”
“The Christmas Song”

source:ABCRadio

GERI HORNER BUYS RINGO´S MINI COOPER

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Geri Horner has purchased a car which previously belonged to Ringo.The 45-year-old singer – who has 11-year-old daughter Bluebell with her former partner Sacha Gervasi, and 12-month-old son Montague with her husband Christian Horner – has revealed she once splashed the cash on a Mini which was owned by Ringo, and although she spent more than she would have liked on the motor, she knows it has collectible value.
When asked what her most extravagant purchase has been, she said: “I bought Ringo Starr’s Mini. It was a lot of money for a Mini but it belonged to a Beatle, so it’s a collector’s item. It’s a piece of history.”
Although it’s likely the former Spice Girl doesn’t drive the valuable vehicle, if she did take it out for a spin she’d make sure not to put a dent in it whilst parking.


BEATLES ANIMATOR RON CAMPBELL TO APPEAR IN FORT WORTH

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Ron Campbell had a hand in animating Beatles’ television series and Yellow Submarine, in addition to Scooby Doo, Rugrats, The Flintstones, The Smurfs, The Jetsons, Teenage Mutant Ninja Turtles and Winnie the Pooh. Now, the 78-year-old animator is on tour and showing his paintings at galleries around the U.S.

“I do these shows as a second act in my life. It pays my electric bill, and it’s better than sitting at home,” Campbell, who will visit Fort Worth on Feb. 18. Campbell is from Australia, and during his childhood, the thing to do on Saturday mornings was to go to the local movie theater and watch children’s serials like Rocket Man and Superman. In between the serials, short cartoons played. These living images both fascinated and confused 7-year-old Campbell.

“I remember asking my great-grandmother what they were and telling her about them, and she explained to me, ‘Ronnie, they’re just drawings,’” Campbell says. “It was like a childish epiphany: ‘You mean I can do drawings that can come alive?’ Because as a 7-year-old, I was drawing, like every other 7-year-old I knew. Everybody at 6 and 7 is drawing. You did, too, but at some point, most people stop drawing. I didn’t.”

Young Campbell was obsessed with creating life through animation, and toward that end, he looked for ways to make his drawings move. He made flip-book animations and built a machine to run his drawings across in sequence. Campbell drew and drew, eventually drawing his way into art school.“It wasn’t a consideration for me at the time because I was just a teenager, but in point of fact, there was no way a person in Australia could make a living as an animator during those years, but I was determined to do it,” Campbell says. “I was like on the leading edge of animation in Australia, a business that is pretty big in Australia now, but there I was, just coming out of art school, fortuitously, just at the first time possible to make a living doing animation,” Campbell says. After he made commercials for some time, King Features approached him to work on shows such as Popeye, Beetle Bailey, and Crazy Cat.

In 1964, King Features told Campbell it had a new show signed, and it wanted him to direct it.“I said, ‘Yes, what is this show?’ And he [the exec] told me that it was ‘the beetles,’ and I thought to myself, ‘The beetles? Insects make poor characters for children’s cartoons.’ And then I was told that it was not insects, it was not beetle beetles. It was the Beatles.”During its runtime, the Beatles television show had an enormous following. Campbell says the show had a 67 rating, which means that for every 100 TVs turned on during the show’s time block, 67 of them were tuned into the Beatles’ show and Campbell’s living drawings.

“If somebody had of told me when I was doing the Beatles TV cartoon show that, ‘Ron, 50 years from now, you are going to be doing drawings based on this show, and you are going to be doing interviews for newspapers and going on TV and talking about the work you’re doing now,’ I would’ve said, ‘You’re nuts,’” Campbell says. “I certainly didn’t know how long they [the Beatles] were going to last. … I could never believe that 50 years later, I’d still be talking about them. … They did last, and they’re likely to last like Mozart lasted.”

Campbell went on to work with Hanna-Barbera, where he spent 10 years on The Smurfs, 10 years on Rugrats and several years seat-directing Ed, Edd n Eddy.Fifty years and thousands of frames later, Campbell is taking his cartoon legacy on the road. At each of his exhibits, he shows 50 to 60 paintings, all of which are based on the cartoons he drew during his career.“My show is an experience as much as it is an art show. … It’s an emotional connection with the audience, you know, if they already have a love for those cartoons or the memories they have sitting on the living room floor on a Saturday morning, watching cartoons with their brothers and sisters,” Campbell says. “We all live with childhood pains, but we also live with childhood pleasures, and one of the pleasures is television turning itself over on a Saturday morning just for children.”

Campbell will be at Fort Worth’s Milan Gallery in Sundance Square from Feb. 16 through Feb. 18. All of his paintings are sale, and each certificate of authenticity will be customized with a doodle of the buyer’s choice.

Source:DallasObserver


ZAK STARKEY RECORDS REGGAE ALBUM

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Zak and his wife have launched the recording of a reggae album in Jamaica. The project started in December of 2017 and is called the Red Gold Green and Blue project. The project is influenced by Blues music and will see some of Jamaica’s greatest reggae artists performing on the album. So far some of the artists who have recorded on the album have been Mykal Rose, Toots Hibbert, Big Youth,  Sly and Robbie,  Tony Chin and Freddie Mcgregor, all stalwarts in the reggae music industry.

The project was recorded at a secret studio in Ocho Rios Jamaica which was set up by Grammy award winning producer Rob Fraboni. The project manager is reknowned USA based entertainment lawyer Cameron Husty.  Several first class engineers were flown in from London Uk with Jamaica’s own Grammy award winning engineer Barry Ohare also adding magic to the project.

Present at several of the recording sessions on this reggae project was Sean Contractor Edwards of the Contractor Music Group who was very positively influenced by the work ethic and passion displayed by Zak Starkey in the studio. Contractor said he noticed that Zak was very humble and also very versatile as on most of the sessions he saw  Zak playing guitar.  Contractor  is the executive producer of the recently released reggae album Tropical House Cruises to Jamaica which debuted at number 2 on the Billboard Reggae album charts and earned a Billboard Hot Shot award.
Zak Starkey left the island of Jamaica with his wife for tour in Australia  and will return to Jamaica to complete the album. Zak was very influenced by reggae music growing up in the Uk.

PALOMA FAITH HAS REVEALED THAT PAUL ALMOST FEATURED IN HER LATEST ALBUM

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Paloma Faith has revealed that Paul almost featured in her latest album The Architect
BRITS Best Female nominee Paloma Faith has revealed Paul almost featured on her latest album The Architect.
In an exclusive interview, she said: “He came to rehearsals and said, ‘I’d love to jam with you’. He didn’t make it but sent a cake with a note that said, ‘Sorry, snowed under. “Let’s jam another time.’”
Paloma is set for a 20-date UK summer tour, including gigs at Hampton Court Palace in Surrey and the Edinburgh Summer Sessions, which goes on sale this Friday.