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Ringo Starr’s stage boots and George Harrison’s front door are among coveted Beatles memorabilia up for auction.
Some 300 Beatles collectibles are on sale through the annual auction at The Beatles Shop in Liverpool.
Two pairs of Starr’s shoes are for sale, including a pair he wore on stage in 1963. The size 7 black suede boots are expected to fetch between £4,000 (€4,400 approx) and £5,000 (€5,500 approx.) They are said to be worn but in good condition.
“The original Beatle boots were leather with a higher heel,” Ian Wallace from the Beatles Shop said. “As the drummer he was having to use pedals for the bass drum and the hi-hat cymbal and what have you, so he couldn’t use those boots.Instead he wore these suede ones, which were obviously more comfortable.”

The boots were given to a family friend by Starr’s mother and stepfather in the 1960s and they have been in their possession since.
The brown Cuban-heeled boots are expected to fetch between £2,500 (€2,745) to £3,000 (€3,300) as is a Japanese-style kimono.
The other lots in the auction include the front door of the home where George Harrison was born, in Arnold Grove, Wavertree, Liverpool.
A rare Cavern Club membership card from 1960 is for sale, as is a school music book signed by John Lennon with vintage school photos.
This, the 26th Beatles Shop auction, will take at the Liverpool Philharmonic Music Room on Saturday August 26, with a viewing day on Friday August 25.


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Ringo says that after receiving an unexpectedly good offer for a new All Starr Band tour, he decided to scrap the Nashville plan.
“Dave Stewart and I were going to go down to Nashville and do a country album there,” Starr told writer David Wild in a promotional interview for the album. “So we thought we should write a few country songs for when we get there. The first one we wrote here in the house was called ‘So Wrong for So Long.’ Then I got offered another tour with the All Starr Band, and it was an offer I couldn’t resist. That’s how I ended up making another album at home (in Los Angeles) and writing all kinds of songs with all kinds of friends – everybody giving more love, and just letting the music flow.”

Among the notable musicians who contributed to “So Wrong for So Long” were Stewart and acclaimed session players like bassist Nathan East, pedal-steel guitarist Greg Leisz and keyboardist Jim Cox.
Ringo said: “I just thought, ‘That’s a great line,'” he recalls, “and finally turned it into a record, into a track.”
Bruce Sugar, Ringo’s recording engineer, meanwhile, thinks the song could possibly get some country radio play, though he notes, “It’s a little more traditional than what they’re doing now on the radio.”

Give More Love will be released on September 15. As previously reported, it also features appearances by Paul McCartney, Joe Walsh, Peter Frampton, Edgar Winter, Toto’s Steve Lukather, Eagles bassist Timothy B. Schmit, Mr. Mister’s Richard Page, Richard Marx and Tom Petty & the Heartbreakers keyboardist Benmont Tench.


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Recorded at his home studio in Los Angeles, Ringo’s 19th studio album Give More Love has 10 new tracks featuring collaborations with friends, including Paul McCartney, Joe Walsh, Edgar Winter, and Steve Lukather.


‘Give More Love’ is available everywhere on September 15th.
Pre-order Ringo’s 19th studio album now: H E R E.



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For his 19th solo album, Ringo Starr planned to record his first country album since 1970’s Beaucoups of Blues. But when his touring schedule made an extended trip to Nashville impossible, Ringo decided to simply work in his living room, inviting old friends like Peter Frampton, Dave Stewart, his brother-in-law Joe Walsh and Paul McCartney to collaborate. “It ended up like a regular Ringo album with a ballad, a country song, a rock song,” says the drummer, whose new album, Give More Love, is out September 15th. “It’s always very casual. With Pro Tools, you don’t need all that space like we had in Abbey Road. Sometimes the dog will bark, and it ends up on the track.” Ringo, 77, is approaching his 30th year leading his All-Starr Band, whose long-running lineup includes Steve Lukather (Toto), Gregg Rolie (Journey, Santana), Richard Page (Mr. Mister) and Todd Rundgren. The band’s fall tour includes a Las Vegas residency in October.

How did Paul wind up taking part in sessions for the new album?
Well, I just called him up and said,”I got this song called ‘Show Me the Way,’ and I want you to play on it.” Because he is a really good friend of mine, he said he’d come to L.A. for it. It’s about [my wife] Barbara. She shows me the way. I wanted it to be very personal. While he was there, he also played on “We’re on the Road Again.” That was very kind of him.

You two still sound great together.
He’s an incredible musician. He’s incredible at singing too and as a writer, but for me, as a bass player, he is the finest and the most melodic. It’s always fun when we’re playing together. I’ve played on several of his records, mainly in the Nineties. People keep saying, “Oh, it’s been so long.” It’s not been that long. We did the Grammys, we did that Beat­les show three years ago. So we are still pals, but we don’t live in each other’s pocket.

There are a couple of country songs on the album that remind me of Beaucoups of Blues. What are your memories of that time in your life?
I went down to Nashville and we did it in two days. I did it because Pete Drake came to England to play [pedal steel] on George’s record [All Things Must Pass] and I was playing [drums] on it. I sent my car to get him and he noticed I had a lot of country tapes. He was talking to me about coming to Nashville to make a record and he’ll produce it. I was thinking I didn’t want to spend months in Nashville. He said “What are you talking about? Nashville Skyline took two days.” So I went to Nashville and I got there on Monday, we did the record Tuesday, Wednesday, and I left Thursday. And that’s how we did it! Five songs a day!

On “Electricity,” you give a shout-out to Johnny Guitar, from your pre-Beatles band Rory Storm and the Hurricanes.
When I changed my name to Ringo, he changed his to Johnny Guitar. I had left [my job at] the factory, and this was the first real job as a musician. I have great memories of being in that band. If you look back at my recent solo records, there’s always some mention of Rory and the Hurricanes in it. I don’t wanna write the book – I write it in songs. If you want to read my book, you’ll have to buy 15 CDs and put it all together.

On your new song “Laughable,” which you co-wrote with Peter Frampton, you sing “It would laughable if it weren’t so sad.” I presume you’re talking about Trump?

Well you know I’m not political. Peter Frampton added that line. We had discussions where he wanted the words to be more political. And I was against that, and it’s my record so you know what that’s what I do. I direct it. But I felt we still said the same things and it’s understood that it would be laughable if it wasn’t so said. But no I’m not gonna mention people and parties because I feel like we can do this in a much better way.

Your drums sound louder than ever on the new Sgt. Pepper box set.
They are! Giles [Martin, son of George Martin] has turned me up. I love it! We couldn’t do that in the Sixties. If anything, when we were mastering, we were taking off the bottom all the time, and the bottom was my bass drum. You should go to the Love show [in Las Vegas]. It’s like drum boogie. It’s so far-out.

What role did you take in putting together the Sgt. Pepper set?
Giles remastered it, they sent it to me, and I said I loved it. There’s another bonus CD with different bits – the big piano that we all played for that one chord [on “A Day in the Life”]. That is so interesting, even for me, who’s on the damn thing. I just love it. It’s a bit like the Eight Days a Week [documentary] that Ron Howard did. I was so moved emotionally by looking at that, and I’m in it, for God’s sake.

It was interesting to see a Beatles film that focused only on your touring career.
It just showed us as four lads. We were always being ordered to play stadiums since we couldn’t play regular gigs. We stopped touring because we all felt we weren’t playing that well. I couldn’t hear what the other three were doing. I’d have to look at their actions and go, “Oh, yeah, we went into that part now.” Then we split up, of course. But I think [touring] is part of the four of us – that’s what we always liked to do.

Are you going to release deluxe editions of the other albums?
I hope they do the White Album and Abbey Road.

How about Revolver and Rubber Soul?
I don’t know. Let’s say yes! [Laughs] If we don’t, forgive me.

You’re heading out with the All-Starr Band this fall. Do you still want to be doing this in three years when you enter your eighties?
Yeah, I love it. It’s what I do. As long as I can hold the sticks, we can go for a long time.


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Ringo pay tribute to Glen Campbell

Musicians and singers and many other stars paid tribute today to Glen Campbell, who died yesterday following a long battle with Alzheimer’s disease. Ringo Starr called him “the real rhinestone cowboy.”

Brian Wilson tweeted, “I’m very broken up to hear about my friend Glen Campbell. An incredible musician and an even better person.”


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 Give More Love, is Ringo’s 19th Studio album. Recorded at his home studio in Los Angeles, Give More Love has 10 brand new tracks and 4 bonus tracks featuring collaborations with friends: Paul McCartney, Joe Walsh, Dave Stewart, Peter Frampton & many more…