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Fans can enjoy a free, behind-the-scenes look at one of most popular shows.
The “Magical Technical Tour” of the set of “The Beatles Love” takes place 1 p.m. Saturday afternoons at the Mirage. The show highlights the Beatles’ music and poetry, with a remixed soundtrack by Giles Martin, son of legendary Beatles producer George Martin.
Visitors should arrive a few minutes before the tour’s start time to make sure you don’t miss it. The half-hour event offers a sneak peek at different aspects of the wizardry behind the musical production.
Guests learn about the Love Theater technology that supports cast members as they fly through the air and perform eye-popping acrobatic stunts. Guides also share information about the show’s one-of-a-kind set pieces that help bring the Beatles’ music to life.
Visitors also see a demonstration of what it takes to pull together “Get Back,” the show’s opening number. It’s performed without cast members to highlight the production’s nonhuman sensations.
There’s no need for advance reservations to take the tour. Also, attendees receive a special ticket offer for “Love,” which plays 7 and 9:30 p.m. on Thursdays through Mondays.
The free tour launched July 1, the day following the show’s 11th anniversary. “Love” was first staged at the Mirage on June 30, 2006. Beatles Paul McCartney and Ringo Starr were advisors during the show’s formative stages. The soundtrack has won three Grammy awards.


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More than 17,000 folks of all ages who crammed into every available seat in the downtown Tampa arena on Monday night to sing along and be taken down that magical mystery tour of Paul’s life in music. And when Paul sings, people listen. And they remember. And they feel. And they react.
A three-hour journey that touched on the earliest days of his long career right up through his latest work might not have been what many in attendance were expecting out of the 75-year old performer, Macca smashed those expectations and steamrolled on with the finesse and the drive of a real seasoned pro, which is exactly what he is.
Without the aid of an opening act, Sir Paul and his four-piece band walked onto the massive, darkened stage to thunderous applause and wasted no time jumping head first into the night’s barrage of hits. Spry, slender and fit, Paul donned a dark blue blazer, white button up shirt and jeans and looked comfortable and ready and prepared for the long night ahead. The familiar opening chord of Beatles classic “A Hard Day’s Night” struck and, again, the rafters shook as every single person in the place stood and cheered loudly.
Two giant screens on either side of the stage and projected larger than life images of McCartney while colorful, geometric shapes danced on the screens at the rear of the stage. If ever there was a moment that perfectly conjured a celebratory mood, it was this opening number.
Seated nearby was ex-Hootie and the Blowfish lead singer Darius Rucker and his family who were all feverishly snapping photos of Paul on their phones and singing along to the lyrics.
Trotting around the stage, shooting peace signs and thumbs up to fans in all levels and in all sections, he somehow gives off the vibe that he’s damn glad to be there.
With every intention of pleasing everyone in the house, McCartney somehow touched on every era of his career. He turned in a sizable amount of Beatles tunes, represented his 70s output with Wings and played plenty of latter material too.
After a rousing version of 1974’s “Junior’s Farm,” Paul called for the house lights to be brought up. “This is so cool. I’m just going to take a second to drink it in,” he said as he scoped out the arena and eyed the whole crowd.
Nearly as entertaining as the music were the short, comical and sometimes poignant anecdotes Paul threw in between songs and as intros to some, including recalling a quirky mishap that occured last time he played in Tampa in 2005 when he fell into an onstage piano pit. Or the fond recollection of the late Jimi Hendrix’s live performance of “Sgt. Pepper’s Lonely Hearts Club Band” in 1967 he witnessed a few days after the album’s release. In turn, he closed out an absolutely stellar version of the deep Wings album cut, the slow-burning, guitar-heavy “Let Me Roll It” with some passages from Jimi’s “Foxey Lady.
Switching from his famous Höfner bass, to a cranked up colorful Gibson Les Paul guitar, to a grand piano, an upright piano to acoustic guitar, there wasn’t much Paul didn’t play during the marathon show. He even whipped out a ukulele and delivered a loving, heartfelt tribute to George and revealed what an accomplished uke player he was. “He even gave me this one” Paul said as he held up the tiny stringed instrument. And, with that, he paid George the ultimate honor by performing “Something”. One of the night’s many lump-in-the-throat moments came during the tune as vintage photos of Paul and George washed on the screens behind him in what turned into a spirited sing-along.
Paul threw in the romantic “My Valentine” from his 2012 album Kisses On The Bottom.
In an absolute wow moment, he introduced “Temporary Secretary” from his 1980 McCartney II album, “I Wanna Be Your Man,” a song that Paul introduced with a charming story about taking a cab ride with songwriting partner and bandmate John Lennon along with Rolling Stones songwriting duo Keith Richards and Mick Jagger many moons ago. John and Paul gave the song to the Stones to record and it was their first no. 1 hit, he remembered.
As he began a version of “Blackbird,” Paul recalled a different time when the civil rights movement deeply affected him and how he’d hoped the song would inspire people in places like Arkansas and Alabama to maybe take the song’s message to heart. And, with that, the platform he stood upon rose twenty feet in the air and lifted him high above the stage he’d just stood on. His message and his song were played as he rose in the arena. Another of the night’s many moving moments.
And, just like he began and just like he carried out, the end of the night was another non-stop frenzy of great songs and sigh-inducing moments that conjured tons of warm fuzzies and spontaneously caused goosebumps among many in the crowd…myself certainly included.
“Live And Let Die” and an emotion-filled rendition of “Hey Jude”,as the returned to the stage for the night’s powerhouse encores, each held a flagpole and waved their respective flags joyously before picking up their instruments again. An American Flag, a British Union Jack flag, a Florida flag and a Pride flag were all represented.
Winding up with a kickass version of “Get Back” (along with a local Lakeland mom and son team who Paul invited to dance onstage) with the suite of “Golden Slumbers”/”Carry That Weight”/”The End” was fitting. “We’ll see you next time,” Paul shouted before vanishing from the stage.

Paul McCartney Setlist (Amalie Arena — Tampa, Florida)

A Hard Day’s Night

Junior’s Farm

Can’t Buy Me Love
Temporary Secretary
Let Me Roll It
I’ve Got a Feeling
My Valentine
Nineteen Hundred and Eighty-Five
Maybe I’m Amazed
We Can Work It Out
In Spite of All the Danger
You Won’t See Me
Love Me Do
And I Love Her
Here Today
Queenie Eye
The Fool on the Hill
Lady Madonna
Eleanor Rigby
I Wanna Be Your Man
Being for the Benefit of Mr. Kite!
Ob-La-Di, Ob-La-Da
Band on the Run
Back in the U.S.S.R.
Let It Be
Live and Let Die
Hey Jude

Sgt. Pepper’s Lonely Hearts Club Band (Reprise)
Hi, Hi, Hi
Get Back
Golden Slumbers
Carry That Weight
The End


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‘The Beatles: Yellow Submarine’ Coming to Comics in 2018

The Apple Corporation has, in celebration of the groundbreaking film’s upcoming 50th anniversary, announced a comic book adaptation of Yellow Submarine. The comic book, which will be distributed by Titan Comics, is slated for release in 2018.
“We’re thrilled to be publishing The Beatles: Yellow Submarine for the 50th anniversary of this fantastic movie,” Titan publishing director Chris Teather told “We can’t wait for Beatles fans to experience this official adaptation.”

Bill Morrison, the incoming editor of MAD Magazine, wrote and illustrated The Beatles: Yellow Submarine. The comic book, like the film, will follow the Fab Four as they battle the Blue Meanies while journeying in the titular vessel.

In time for the 50th anniversary of the Beatles’ beloved animated movie Yellow Submarine, Titan Comics will release an all-new comic book adaptation of the feature.
The movie, originally released in July 1968, saw animated versions of Paul, John, George and Ringo led to Pepperland by Captain Fred in an attempt to rescue it from the menace of the music-hating Blue Meanies. A mix of psychedelia and straight-forward animation that featured unreleased Beatles tracks and a cameo from the live-action band themselves, Yellow Submarine went on to become both critically acclaimed — it received a New York Film Critics Circle Special Award in 1968 — and warmly embraced by fans.
One of those fans is responsible for next year’s comics edition. Bill Morrison, the longtime Bongo Comics creator and newly announced incoming editor of MAD Magazine, will write and illustrate the special edition, fulfilling a decades-held dream in the process. (Some pages from Morrison can be seen below.)
“We’re thrilled to be publishing The Beatles: Yellow Submarine for the 50th Anniversary of this fantastic movie,” Chris Teather, publishing director at Titan Comics, said about the new book. “We can’t wait for Beatles fans to experience this official adaptation.”
The deal between Apple Corps Ltd. and Titan Comics was negotiated by Bravado International, which handles licensing for the Beatles in North America. In addition to the Yellow Submarine comic adaptation, Titan’s collectibles arm Titan Merchandise will also be releasing a line of Titans vinyl collectibles based on the movie. The “All Together Now” collection features two versions of the band, as well as Blue Meanies, the Apple Bonker and the Four-Headed Bulldog, and will hit stores later this month.


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In the first half of 2017, vinyl continued to be the only format of music where sales rose, though a quick look at the titles that are performing the best shows that the wax record buyer isn’t necessarily the same person who is watching the chart and keeping up on the biggest hit singles.
The bestselling vinyl album in the first six months of 2017 is: The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band. The legendary title, widely regarded as one of the best albums ever recorded, is 50 years old this year, and yet the public simply can’t get enough of it. To celebrate half a century, the British band released a remastered, remixed version of one of its most successful full-lengths, and that new item helped Sgt. Pepper’s rise on charts all around the world, Sgt. Pepper’s Lonely Hearts Club Band hit No. 1 on the U.K. albums tally and it broke into the top five yet in United States. Many true Beatles lovers opted to pick up a copy of the newly-updated collection on vinyl, as the record has sold 39,000 copies in the U.S.

The jazzy La La Land soundtrack comes in a close second place, just a few thousand units behind The Beatles. Guardians of the Galaxy: Awesome Mix Vol. 1 is in third place.Catalog records make up the rest of the top five, as Bob Marley’s best of collection Legend and Amy Winehouse’s breakout blockbuster Back To Black sit comfortably at Nos. 4 and 5, respectively.

The Beatles are the only act that appears twice on this listing, as Abbey Road comes in seventh place, right behind Ed Sheeran’s Divide, which is the bestselling album of 2017 so far (when all formats are taken into consideration), though not the bestselling vinyl album.


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Paul, was seen shaving on a hotel balcony in Miami, hours before his One on One tour performance on Saturday.

Paul recently announced he will tour Australia as a solo artist for the first time since 1993. Paul will commence his tour in Perth on December 2, followed by Melbourne on December 5, Brisbane on December 9 and Sydney on December 11. He will then travel to Auckland.