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Tag Archives THE BEATLES

THE BEATLES MOVIE THAT GRABBED STEVEN SPIELBERG´S ATTENTION IN FILM SCHOOL

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After the innovative Revolver (1966) and Sgt. Pepper’s Lonely Hearts Club Band (1967), the band released the Magical Mystery Tour TV film on Boxing Day ’67.
The BBC it had shown a color film in black-and-white.

As time went by, Magical Mystery Tour’s reputation recovered, with some comparing the Fab Four’s cinematic effort to the work of Luis Buñuel and Salvador Dalí. Paul McCartney has pointed out how the next generation’s leading filmmakers appreciated the work.

In Anthology, all four Beatles weigh in on the reception of Magical Mystery Tour. To a man, they acknowledge the work has clear flaws. However, they also point out the flaw in the BBC presentation. “We were stupid and they were stupid,” Ringo said.

Ringo also pointed out how the reactions changed once viewers saw it as intended. “It was really [panned] but when people started seeing it in color they realized it was a lot of fun.” Paul said he heard very encouraging feedback from authorities on the subject.

“People like Steven Spielberg have said since, ‘When I was in film school, that was a film we really took notice of,’” Paul said in Anthology. “It was an art film rather than a proper film. […] I defend it on the lines that nowhere else do you see a performance of ‘I Am the Walrus.’”

Paul was being humble in some respects. The video for George Harrison’s “Blue Jay Way” is another great moment in Magical Mystery Tour. And Spielberg wasn’t the only great director to point out the film’s charm.

In a 2012 PBS documentary on Magical Mystery Tour, Paul and The Beatles got another heavyweight endorsement — this time, from Martin Scorsese. Seeing the big picture of the medium (as usual), Scorsese felt the need to stick up for the film’s freewheeling style.

“Of course, the emphasis on professionalism and polish and politeness has come back now with a vengeance,” Scorsese said in the movie’s defense. “It’s expected. And there’s a tendency to forget that really that’s only one choice, one way of going.”

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JOHN LENNON: ““WITHIN YOU WITHOUT YOU”, ONE OF GEORGE´S BEST SONGS”

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While George Harrison was working to refine his songwriting craft, he wasn’t getting much help from his bandmates in The Beatles. “I had a little encouragement from time to time, but it was very little,” George said in a 1977 interview.

Beatles engineer Geoff Emerick backs up that account in the book, Here, There and Everywhere. “In general, sessions where we did George Harrison songs were approached differently,” Emerick said. “Everybody would relax — there was a definite sense that it really didn’t matter.”
During the sessions for Sgt. Pepper’s Lonely Hearts Club Band (1967), George faced more criticism than usual. It began when he introduced “Only a Northern Song” in the studio. After John Lennon didn’t play on the backing track, The Beatles decided to shelve the song for a later date.

But George still didn’t have a song on Sgt. Pepper. When he brought the excellent “Within You Without You” into the studio, Emerick recalled how no one was impressed (again). What’s worse, Emerick said the other Beatles and producer George Martin actually rolled their eyes at the track.
By the time George debuted “Within You Within You” for his bandmates and producer, they’d already recorded several masterpieces. The Sgt. Pepper sessions began with John’s masterpiece, “Strawberry Fields Forever,” followed by the Paul McCartney classic, “Penny Lane.”

The Beatles had also polished off “A Day in the Life” when George took another crack at getting on the album. In brief, the bar had been raised considerably by March ’67, and George encountered a lackluster reception on all sides.
“At the time ‘Within You Without You’ caused a lot of eye-rolling among the other Beatles and George Martin,” Emerick recalled. “Personally, I thought it was just tedious.” But Emerick did acknowledge that George’s rendition (alone, on acoustic guitar) didn’t do the composition justice.

In the sessions that followed, George’s bandmates would begin to see the magic in the song. Eventually, eight violin players, three cellists, and what John described as “about 400 Indian fellas” filed into the studio to help bring George’s vision to life.
Once the harsh reception was out of the way, George outlined how he wanted to record “Within You Without You.” It began with scrapping the usual Beatles lineup and bringing in a band of Indian musicians to record the backing track.

While his three bandmates were present during the session, George mostly worked on his own with Martin and the Indian players. When Martin scored parts for the Western string instruments late in the Sgt. Pepper sessions, George found himself without any other Beatles once again.

That turned out to be exactly what he needed. Though the song became his sole composition (and by far biggest moment) on the record, it came off as wonderfully as everyone had hoped. Even John fell in love with the song, which has become a highlight of Sgt. Pepper.

“One of George’s best songs,” John told Playboy’s David Sheff in 1980. “One of my favourites of his, too. He’s clear on that song. His mind and his music are clear. There is his innate talent; he brought that sound together.”
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ANIMATOR RON CAMPBELL TO MAKE APPEARANCE IN THE UPSTATE

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Ron Campbell directed the Beatles cartoon series and was involved in other popular Saturday morning cartoons.

He will offer some of his works for sale from 4 to 8 p.m. Jan. 21 and 22 at Bennetts’ Framing & Art Gallery, 2100 Laurens Road, Greenville.

Campbell’s 50-year career in animation includes work on “Scooby-Doo,” “The Smurfs,” “Rugrats” and more. In addition, he was the animator of the film “Yellow Submarine.”

Campbell was director of the Beatles Cartoon series that aired on ABC from Sept. 25, 1965, through April 20, 1969. The series received huge ratings and continually fueled new music to children as they followed the bouncing drumstick to each Beatles tune. Campbell also wrote the forward to the definitive book on the Beatles cartoon series “Beatletoons.”

In 2018, music fans celebrated the 50th anniversary of the release of the Beatles classic animated film, “Yellow Submarine.” Since its release, the movie has become a permanent fixture in pop culture, defining the psychedelic 60s for generations. In his book, “Up Periscope,” the movie’s producer Al Brodax gives Campbell a great deal of credit for saving the movie and tying it all together at the last minute.

Other cartoons Campbell has been involved with include “Winnie The Pooh,” “Krazy Kat,” “George of the Jungle” and “The Jetsons,”

Campbell’s former studio was awarded a Peabody and an Emmy for his work in children’s television. Since retiring, he has been painting subjects always based on the animated cartoons he has helped bring to the screen. With emphasis on The Beatles, he shows his Cartoon Pop Art in galleries worldwide.

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GEORGE HARRISON AND RINGO’S HANDWRITTEN LYRICS WHILE MY GUITAR GENTLY WEEPS UP FOR AUCTION FOR $195K

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The handwritten lyrics to The Beatles classic song While My Guitar Gently Weeps, off their legendary self-titled double album, also known as The White Album, are up for auction through the memorabilia company Moments in Time for $195,000.

George Harrison and bandmate Ringo Starr both took turns writing the words to the tune out on the back of a studio recording sheet.
The duo were fleshing out the lyrics to one of Harrison’s most iconic songs while the band was recording at EMI’s Abbey Road Studios in London back in 1968.

‘I Look at You all see the love there that’s sleeping — While my guitar gently weeps,’ Harrison began at the top of the sheet.
He continued at the bottom with, ‘While my Guitar Gently weeps as I’m sitting here doing nothing but aging still my guitar G W.’

Starr scribbled all the lyrics in between, which included his effort to work out a misspelling of the side of the paper.
Hand-writing expert Frank Caizzo authenticated the lyric sheet.

‘It is complete with his misspellings, a Ringo trademark, and shows him working out one of the misspelled words on the side,’ Caizzo wrote in a letter of authenticity posted to the auction website momentsintime.com.

The lyric sheet represents a working draft used during the recording of The White Album, The Beatles’ ninth studio album.

It has since gone on to be regarded as the most diverse and eclectic group of songs the band released during their wildly successful career (1960-1970).

Beatle song lyrics, such as this artifact, are rarely put up for auction.

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