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THE BEATLES FINALLY LET IT BE BY BRUCE SPIZER

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The Beatles “Get Back”/”Let It Be” sessions and the resulting unreleased and released albums and bootlegged recordings are among the most interesting and confusing aspects of the Beatles recorded legacy.
Bruce Spizer’s fourth installment in his Beatles album series, The Beatles Finally Let It Be covers the January 1969 rehearsals and recording sessions, the unreleased “Get Back” albums, “Let It Be” and “Let It Be…Naked,” along with American, British and Canadian perspectives. The book relies on articles from 1969 and 1970 magazines and newspapers to report on what fans knew about the sessions and the planned albums that were never issued, as well as reviews of the unreleased and released albums. There are also chapters on 1970 current events and music and film, plus a detailed breakdown of all of the songs released from the sessions. The fan recollections chapter includes stories from those were fortunate enough to be up on the roof for the Beatles final public performance on January 30, 1969, along with one from a fan on the ground.
This book measures 9″ x 9″ and includes images in both color and original black & white.
The Beatles Finally Let It Be is the perfect companion to the other books in the album series, the upcoming Get Back film directed by Peter Jackson, and the anniversary edition of the Let It Be album.

The book is an historical overview of the Get Back /Let It Be project commencing with its conception in September 1968 and running through the Let It Be…Naked album issued in November 2003. Any information pertaining to the new Get Back film and any possible set of new audio releases would only comprise of a relatively small part of the book. That said, the Beatles album series books are intended to be as complete as possible and cover all releases through the date the book goes on sale.

498 PRODUCTIONS, LLC proudly announces the upcoming publication of The Beatles Finally Let It Be, Bruce Spizer’s latest book in his Beatles album series which is set for release later this year.

The book will cover the Get Back/Let It Be sessions, the unreleased Get Back albums, the Let It Be album and film, the noteworthy Get Back bootlegs, the Anthology tracks from the sessions and Let It Be…Naked.

Like the other books in the series, The Beatles Finally Let It Be covers the  album and related releases from the American, British and Canadian perspectives.

The book contains chapters on newsworthy events of 1970 and the music and films from the first half of 1970.

There are also chapters on the Hey Jude and In The Beginning albums released in 1970.

And, of course, dozens of fan recollections about the album and film.

The Beatles “Get Back”/”Let It Be” sessions and the resulting unreleased and released albums and bootlegged recordings are among the most interesting and confusing aspects of the Beatles recorded legacy.

Description:

1st Edition, 2020
September 4, 2020
200 Pages
9″ x 9″
Hardbound
Full Color throughout

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NEW BOOK: SOLID STATE: THE STORY OF ABBEY ROAD AND THE END OF THE BEATLES

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“Solid State: The Story of Abbey Road and the End of the Beatles” by Kenneth Womack (whose previous books include a two-part series on the life and work of Beatles producer George Martin) is due October, 15. Hardcover, with 296 pages, with a foreword by Alan Parsons, is timed to coincide with the 50th anniversary of the Beatles’ Abbey Road album. The book will be published by Cornell University Press and is available now for pre-order in the U.S. here and the U.K. here.

Womack’s colorful retelling of how this landmark album was written and recorded is a treat for fans of the Beatles. Introduced with a foreword by renowned engineer, producer, and musician Alan Parsons, Solid State takes readers back to 1969 and into EMI’s Abbey Road Studios, which featured an advanced solid-state transistor mixing desk. Womack focuses on the dynamics between John, Paul, George, Ringo and producer George Martin and his team of engineers, who set aside the tensions and conflicts that had arisen on previous albums to create a work that boasted an innovative studio-bound sound that prominently included the new Moog synthesizer, among other novelties.
Abbey Road was the culmination of the instrumental skills, recording equipment and artistic vision that the band and George Martin had developed since their early days in the very same studio seven years earlier. A testament to the group’s unparalleled creativity and their producer’s ingenuity, Solid State is required reading for all fans of the Beatles and the history of rock ’n’ roll.

Last Day to Enter! #WIN IN BEATLES MAGAZINE!..THE NEW BOOK “THE WHITE ALBUM,THE ALBUM,#THEBEATLES AND THE WORLD IN 1968” By BRIAN SOUTHALL

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Last Day to Enter! #WIN IN BEATLES MAGAZINE!..THE NEW BOOK “THE WHITE ALBUM,THE ALBUM,#THEBEATLES AND THE WORLD IN 1968″ By BRIAN SOUTHALL, Carlton Books ltd, Enter for a chance to WIN 1 of the 2 BOOKS SIGNED by the author. COMPETITION:Sat 13 October-Sat 20
RESULTS: Sunday 21 October,2018.
RULES: You must be BEATLES MAGAZINE Member here, on Facebook, Twitter or Google+ .Share the Pic on your Profile (Public) and Send us a Private Message with your country.

Packed full of musical and historical analysis centred on the Beatles at the peak of their popularity, The White Album: A-side/B-side takes a look at one of the greatest albums ever created, and the tumultuous time period it was born into.The ultimate guide to the eclectic styles, techniques and stories behind the universally renowned “The White Album”.Including an indepth guide to the album and an exploration of the political and social influences,this captures revolutiony moment in musical history.
Brian Southall worked as a journalist with Music Business Weekly, Melody Maker and Disc before joining A&M Records. He moved to EMI Records and EMI Music, where, during a 15 year career, he served in press, promotion, marketing, artist development and corporate communications. From 1989 he was a consultant to Warner Music International, HMV Group and both the British Phonographic Industry (BPI) and the International Federation of the phonographic Industry (IFPI). Among other books, he has written are the official history of Abbey Road Studios and the Story of Northern Songs, both published by Omnibus Press.

DREAMING THE BEATLES: THE LOVE STORY OF ONE BAND AND THE WHOLE WORLD

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Rob Sheffield’s book Dreaming the Beatles: The Love Story of One Band and the Whole World is a celebration of the band, from the longtime Rolling Stone columnist. It tells the weird saga of how four lads from Liverpool became the world’s biggest pop group, then broke up – yet somehow just kept getting bigger. Dreaming the Beatles, out in paperback on June 19th, follows the ballad of John, Paul, George and Ringo, from their Sixties peaks to their afterlife as a cultural obsession. In this section, Sheffield explores one of the Beatles’ unheard treasures – the May 1968 Esher demos they recorded at George Harrison’s pad, preparing for the White Album, not suspecting their friendship was about to turn upside down.

The end of May, 1968: the Beatles meet up at Kinfauns, George Harrison’s bungalow in Esher. Just back from India, gearing up to go hit Abbey Road and start their next album, the lads bang out some rough acoustic tunes into George’s newfangled Ampex reel-to-reel tape deck. The result is one of their weirdest and loveliest unreleased recordings: the Esher demos. There’s nothing else in their music quite like this. Most of the 27 songs ended up on the White Album, yet there’s none of that record’s tension and dread.

In an excerpt from his new book ‘Dreaming the Beatles,‘ the author looks back at the ups and downs of the former Fab Four adrift in the Seventies.

Fifty years later, the Esher demos remain one of the Beatles’ strangest artifacts. When the boys gathered at George’s pad in the last days of May – nobody’s sure of the exact date – they had excellent reason to feel cocky about their new material. They wrote these songs on retreat with the Maharishi in Rishikesh, India, a place where they had no electric instruments. As John Lennon said years later, “We sat in the mountains eating lousy vegetarian food and writing all these songs. We wrote tons of songs in India.” John, the most distractible Beatle, had the hot streak of his life during his three months in Rishikesh, which is why the White Album is their most John-intensive record.
When the Beatles regrouped in England, they decided to get together and tape home demos on their own turf before stepping into Abbey Road – an innovation they’d never tried before and would never revisit. So they met at George’s hippie bungalow in the Surrey countryside, decorated in the grooviest Indian style. John showed up with 15 tunes, more than Paul (7) or George (5)….

source:rollingstone

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